Human Rights Film Network releases Setting Up a HHRR Film Festival, an inspiring guide for film festival organisers from all over the world. FiSahara on the cover and in a case study.

 

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To celebrate the 10th anniversary of the network, and as a response to the proliferation of new human rights film festivals sprouting all over the world, the Human Rights Film Network (HRFN) is releasing the second edition of Setting Up a Human Rights Film Festival, an inspiring guide for film festival organisers from all over the world. It is a practical handbook focusing on the needs of festivals in the developing world, where democratic systems are still emergent or non-existent, where press freedom is at stake and where film has become a key tool for social change. Along with its first edition, published in 2009, this is the only existing handbook that addresses the specific needs of human rights film festivals. It will be launched in The Netherlands on the 25th November, at the HRFN network brunch at the International Documentary Film Festival Amsterdam (IDFA).

Edited by One World in Prague, FiSahara in Algeria and Movies that Matter in The Netherlands, and with input from dozens of festivals from around the world, the handbook functions as a practical guide to support current or future festival organizers by introducing them to the how’s and what’s of organizing a human rights film festival.

The chapters draw upon the experience of network members, whose stories are presented in engaging and informative case studies. For instance, FiSahara, which takes place in the Sahrawi refugee camps in the heart of the Sahara Desert, shows how film can help empower a refugee population and shed international light on a forgotten conflict. And the international film festival Truth, Memory and Justice in Guatemala presents the lessons learned by a team that organizes a film festival in the context of historical political violence and a strong state aversion towards human rights narratives. The Karama Human Rights Film Festival in Jordan shares its experiences with security challenges and networking in the Arab world. The Festival Ciné Droit Libre in Burkina Faso presents their mobile cinema activities that connect with new audiences in rural or marginalized communities. Docudays UA of Ukraine presents a riveting account of how its 2013 edition was caught up in the EuroMaidan revolution and screened films in the square, filmed footage of the demonstrations and handed out coffee and blankets as the protests unfolded.

HANDBOOK